Tomoyuki Hoshino (星野 智幸 Hoshino Tomoyuki, born July 13, 1965) is a Japanese writer. He was born in Los Angeles in 1965 and his family returned to Japan before he was three years old. He attended Waseda University and worked for a while as a journalist after graduating in 1988. He spent the better part of the years 1990-5 living in Mexico. He returned to Japan and worked for a while translating from Spanish to Japanese. He published his first novel The Last Gasp in 1997, and it was awarded the Bungei Prize. He won the 13th Yukio Mishima Prize for his second novel The Mermaid Sings Wake Up, which was published in 2000. He won the Noma Literary New Face Prize for Fantasista in 2003. Other works include The Poisoned Singles Hot Springs (2002), Naburiai (2003), Lonely Hearts Killer (2004), Alkaloid Lovers (2005), The Worussian-Japanese Tragedy (2006), The Story of Rainbow and Chloe (2006), and the collection We Kittens (2006). His short story "Sand Planet" was nominated for the Akutagawa Prize for 2002 *[1].
He has published many short stories and essays, both fiction and non-fiction. He also writes guest commentaries for newspapers and journals on sports (especially soccer), Latin America, politics, nationalism, and the arts. His short story "Chino" has been translated into English by Lucy Fraser and is available online via the Japanese Fiction Project (Emerging Writers in Translation), and his novel Lonely Hearts Killer has been translated into English by Adrienne Hurley and is published by PM Press.
He travels frequently and has participated in writers' caravans with authors from Taiwan, India, and elsewhere. In 2006, his critique of Ichiro Suzuki's remarks at the World Baseball Classic were considered controversial by some, and so have some of his other writings related to Japanese nationalism, the emperor, sexuality, bullying, and Japanese society. Also in 2006, the literary journal Bungei dedicated a special issue to Hoshino and his work. He teaches creative writing at Waseda, his alma mater. In January 2007, he was nominated again for the Akutagawa Prize, this time for Shokubutsu shindanshitsu.*[2] In 2011, He won the Oe Kenzaburo Prize for his novel Ore Ore (2010). The title is literally a repetition of the male way of saying the first person pronoun 'I'.